Mr. Perrottet is the author of The Naked Olympics (Random House).
Just how theatrical were the ancient opening ceremonies on the morning of day one? It’s hard not to let our imaginations run riot, blurring Hollywood movies and the pseudoclassical kitsch of our own lavish Olympics rituals. The torch relay, for example, is so ingrained in the modern choreography that most people today assume it was a revival of a pagan tradition—unaware that it was actually concocted for Hitler’s Games in Berlin.
The Nazis knew a good propaganda symbol when they saw one. At noon on July 20, 1936, two weeks before the start of the Berlin Games, a Greek “high priestess” and fourteen girls wearing classical robes gathered in the ancient Stadium of Olympia, and used parabolic mirrors to focus the sun’s rays on a wand until it burst into flame. As a torch was kindled, a chant went up— “Oh fire, lit in an ancient and sacred place, begin your race”— followed by a ceremony where one of Pindar’s Pythian odes was sung to ancient instruments. The so-called Olympic flame was then carried by 3,075 relay runners from Greece, passed from magnesium torch to torch (each one bearing the logo of the German arms manufacturer Krupp), until it finally lit a colossal brazier in the Berlin stadium before the Führer’s approving gaze.
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